Ekene Ijeoma (give thanks, safe travel)
Black Forest Library (Special Project) at 1-54 New York May 13–17, Westbeth Gallery (Opening) April 28, AIGA NY Panel April 20, Harmony Park (Opening Performance/Panel) April 17-18, Tree Hustler (Street Performance) April 10–11, Residency Unlimited NYC-based AIR, Van Alen Vanguard, Speak Data (Book Interview), Architecture League Independent Project Grant, Black Forest, A Counting,

Harmony Park 2026Participatory, Land, Light, Installation
Stone Circle Bench 1, 2 2025Participatory, Land, Sculpture, 
Tree Grills2025Sculpture
Black Forest: New York 2025
Participatory, Land

An Artist Survived Today 2024
Textile

Energy Poles: Big Dipper (Lifesaver)2024
Participatory, Light, Installation

Deconstructed Anthems: Massachusetts2024
Music, Performance, Installation

Black Forest: Providence 2023-ongoingParticipatory, Land
Black Forest: St. Louis 2023-ongoingParticipatory, Land
Black Forest: Seattle 2023-ongoingParticipatory, Land
Black Forest: Florida City 2023-ongoingParticipatory, Land
Black Forest: Melvindale 2022-ongoingParticipatory, Land
A Counting: Boston-Cambridge 2022-ongoingParticipatory, Sound Installation
Deconstructed Anthems: Nebraska 2022Music, Performance, Participatory, Installation
Breathing Pavilion 2021/2022
Participatory, Light, Sound, Installation, Music, Performance, 

Energy Poles: Peace (Peacemaker) 2021Participatory, Light, Installation
Deconstructed Anthems: Washington, D.C. 2018Music, Performance
Deconstructed Anthems: United States 2017Music, Performance, Light, Installation

An Artist Survived Today
2024


Photo Eric Mura.
Photo Eric Mura.

An artist survived today
2024
Nylon appliqué banner, d-rings
80 x 60 in (203.2 x 152.4 cm)

This work is part of my Survived Today, my series in which I remix the NAACP’s "A MAN WAS LYNCHED YESTERDAY," flag to a “A MAN SURVIVED TODAY,” subverting the message from a notification of death into a proclamation of life. In other iterations, “MAN” is replaced with “WOMAN” and a spectrum of intersecting identities—including children, queer and trans people, and artists. 

A recurring strategy in my practice is sampling cultural artifacts—from assemblages to phrases— and entangling them in alternative realities. In this series, this process acknowledges the many casualties of the system while affirming its survivors. Like the closing lines of Lucille Clifton's "won't you celebrate with me"—"that everyday / something has tried to kill me / and has failed"—my flags serve as monuments for daily survival. In this site-specific iteration, I replace "MAN" with "ARTIST," in response to the exhibition title “NEW YORK… NOW.”


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